Untitled (Washer Woman Was Here) no.1, 2024, prints and transfers on vintage satin dress (the artist’s actual first communion dress from family archive), 12.5 in x 33.5 in

Untitled (Washer Woman Was Here) no.1-3, 2024, prints and transfers on vintage satin dress (the artist’s actual first communion dress from family archive), organza full apron, chiffon half apron, various sizes

skipped my prom, went in-patient psychiatric instead (no.2), 2024, print on mesh, gold safety pins, 11.5 in x 43 in

Abuelitas Kitchen no.3, 2024, print on mesh bodega bag, 8 in × 11 in

self portrait on mantilla no.1 (she takes her medicine daily, plants and tea), 2024, print on chiffon scarf, 22 in x 22 in

Untitled (botan•i•ca), 2024, print on velvet embellished with lace and Swarovski crystals, 48 in x 53 in

every outfit is too small to hide my scars, so I stopped trying (no.2), 2024, print on organza shirt, white wooden hanger, 32 in x 40 in

skipped my prom, went in-patient psychiatric instead (no.2), 2024, print on organza shirt, white wooden hanger, 32 in x 40 in

my first job was a lifeguard. I was trained to save others at fifteen. I learned how to care for myself in my forties (no.2), 2024, print on organza shirt, white wooden hanger, 32 in x 40 in

my personal flotation devices, as a little black-latin girl (no.2), 2024, print on organza shirt, white wooden hanger, 32 in x 40 in

Untitled (Our Babies), 2023, archival photographs from The Real PostCard Collection in the Sheridan Libraries at Johns Hopkins University printed on chiffon and organza adorning antique baby christening gown.

Ghost Mola, 2016, organza, cotton, thread, 9 in x 9 in